Ben approaches filmmaking like a composer would a score, with a deep consideration for the film’s phrasing and rhythm. He uses conceptual storylines, repetition, and nonlinearity to stress test the medium’s plasticity. And he prefers actors with bad teeth.
Ben approaches filmmaking like a composer would a score, with a deep consideration for the film’s phrasing and rhythm. He uses conceptual storylines, repetition, and nonlinearity to stress test the medium’s plasticity. And he prefers actors with bad teeth.